ESSAYS

Harold, C. (2015). “The Big One that Got Away” in Michael Moore and the Rhetoric of Documentary, Thomas W. Benson and Brian Snee, eds. Carbondale: Southern Illinois University Press.

Harold, C. (2015). “Motherhood and the Necessity of Invention: The Possibilities of Play in a Culture of Consumption,” in The Motherhood Business: Consumption, Communication, and Privilege, Anne T. Demo and Jennifer L. Borda, eds. Tuscaloosa: University of Alabama Press. 

Harold, C. (2013). “A Brand Called You!: Ethos, Community, and the Selling of Self in the Web 2.0 Marketplace” in The Routledge Companion to Advertising and Promotional Culture, Matt McAllister and Emily West, eds. New York, London: Routledge.

Harold, C. (2010). Review of Tracy, K., McDaniel, J.P., Gronbeck, B.E. eds. (2007) The Prettier Doll: Rhetoric, Discourse, and Ordinary Democracy. Tuscaloosa: University of Alabama Press. Philosophy and Rhetoric 43(3).

Harold, C. (2009). On Target: Aura, Affect, and the Rhetoric of ‘Design Democracy’. Public Culture: an Interdisciplinary Journal of Transnational Cultural Studies, 21(3), 599-618.

DeLuca, K.M., Harold, C., Rufo, K. (2007). Q.U.I.L.T.: A Patchwork of Reflections (honoring the 20th anniversary of AIDS Memorial Quilt). Rhetoric and Public Affairs, 10(4), 627-623.

Harold, C., DeLuca, K.M. (2005) Behold the Corpse: Image Rhetoric and the Lynching of Emmett Till. Rhetoric and Public Affairs, 8(2), 263-286. 

Harold, C. (2004). Pranking Rhetoric: ‘Culture Jamming’ as Media Activism. Critical Studies in Media Communication, 21.3, 189-211. 

Harold, C. (2001) The Green Virus: Purity and Contamination in Ralph Nader’s 2000 Presidential Campaign. Rhetoric and Public Affairs, 4(4), 581-603.

Harold, C. (2000). The Rhetorical Function of the Abject Body: Transgressive Corporeality in Trainspotting. JAC: Rhetoric, Writing, Culture, Politics, 20(4), 865-881.

Harold, C. (1999). Tracking Heroin Chic: The Abject Body Reconfigures the Rational Argument. Argumentation and Advocacy36 (2), 65-76.